Ad of the DayGillette Asks How We Define Masculinity in the #MeToo Era as ‘The Best a Man Can Get’ Turns 30New spot twists classic slogan into a questionBy Patrick Coffee|January 14, 2019The short film touches on bullying, harassment and more in just over 90 seconds.GilletteShareBy Patrick Coffee|January 14, 2019ShareWhen Gillette debuted “The Best a Man Can Get” during Super Bowl XXIII in 1989 with a BBDO campaign promoting its Atra razor line, ours was a different America. George H.W. Bush was president, the Cold War was an ongoing concern and sexual harassment in the workplace was an all-but-foreign concept.Now, the task of communicating a brand’s message is far more complicated, as is evident in Gillette’s latest attempt to explore what its now-iconic slogan means today.“We Believe,” created by AOR Grey New York, turns the classic statement into a question: Is this the best that we, as men, can be? Its answer is a somewhat hopeful “no, but …”The 90-second spot touches on a series of issues bedeviling men of all ages today like real and virtual bullying, sexual harassment and misogyny, and the persistence of gender imbalance in corporate America.Ultimately, the ad posits, this all comes down to how men see themselves.Many men are locked in a catch-22 as they attempt to be the best they can be while still satisfying society’s ever-shifting but restrictively narrow definitions of masculinity.“Gillette believes in the best in men,” said Gary Coombe, president, P&G Global Grooming, in a statement. “By holding each other accountable, eliminating excuses for bad behavior and supporting a new generation working toward their personal ‘best,’ we can help create positive change that will matter for years to come.”In a series of surveys preceding the work, P&G and the research division of Omnicom PR firm Ketchum found that men and women in the United States believed the following four attributes define a “great man”: honesty, moral integrity, hard work and respect of others.Participants listed the most popular things men could do to be considered “great” as being a good father, setting a good example and taking unprompted action to help those in need.Gillette promised to donate $1 million per year over the next three years to U.S. nonprofits that share its mission of helping men be their best; the first such organization is the Boys and Girls Clubs of America.It’s a small sum, but it’s a start.The ad was notably directed by U.K.-based Kim Gehrig, whose recent work includes Sport England’s acclaimed “This Girl Can” series and “Viva La Vulva,” a female empowerment anthem for Swedish brand Libresse that was one of Adweek’s favorite spots of 2018.CREDITSAgency: Grey New York Client: Gillette Campaign: “We Believe”Worldwide Chief Creative Officer: John Patroulis Deputy Chief Creative Officer: Jeff Stamp Executive Creative Director: Joe Mongognia Group Creative Director: Asan Aslam Creative Director: Patrick Conlon Planning Director: Kristian Henschel EVP, Global Account Director: Brian Weston SVP, Global Account Director: Marie Massat VP, Global Account Director: Robert Chedid Account Supervisor: Julie Ressler Account Executive: Lindsay Auerbach Project Manager: Joey ScarilloExecutive Production: Townhouse VP, Executive Producer: Katy Hill VP, Integrated Producer: Rondell Wescott Music Producer: Kurt Steinke Casting Supervision: Nina Pratt Talent Manager: Alice Lambrides Business Manager: Suzanne VossProduction Company (location): somesuch Director: Kim Gherig Director of Photography: Adam Arkapaw Executive Producer: Nicky Barnes Line Producer: Saul GermaineEditorial: Cosmo Street Editors: Joshua Berger + Tom Lindsay Head of Production: Anne Lai Executive Producer: Maura WoodwardVFX, Picture Finishing, and Telecine: Moving Picture Company (MPC) VFX Supervisor: Thiago Porto Colorist: Mark Gethin Creative Director: Alvin Cruz Flame Artists: Joey Deady + John Shafto 2D Lead: Rob Ufer Executive Producer: Matthew Loranger Color Executive Producer: Meghan Lang VFX Producer: Aiste Akelaityte Color Producer: Rebecca BoorsmaSound Design: Heard City Sound Engineer: Keith Reynaud Asst Sound Engineer: Tom Morris Executive Producer: Gloria PitagorskyMusic: Future Perfect Music Composer/Artist: John Connolly, Adam Hochstatter, Ben Pacheco Arranger: Victor Magro Song title: “Reach Out” Executive Producer: Maxwell Gosling Adweek Adweek