Networks Have Sharing Issues With Hulu

Advertisers are drawn to Hulu in part because the site is a popular place for fans to stream shows like NBC’s 30 Rock and The Office. Trouble is, Hulu doesn’t actually sell any inventory in those shows.

In fact, according to sources, Hulu isn’t able to sell much inventory from NBC’s prime-time shows these days. That’s because — like a child grabbing for his or her favorite toy and shouting “Mine!” — NBC has recently begun pulling back the maximum allowable amount of ad inventory within its shows on Hulu, as are its cable assets.

Hulu’s other broadcast partners, ABC and Fox, are following suit, according to buyers familiar with Hulu’s operations, though NBC has been the most aggressive as it looks to capitalize on heavy demand for video and assert more control over their assets. Hulu is a joint venture among NBC Universal, News Corp. and Disney.

The specifics of just how much inventory Hulu’s network partners can retain is unclear. According to sources, networks can pull back 100 percent of ad inventory on two or three specified shows, which is what NBC does with 30 Rock and The Office. For other shows, the number is close to 85 percent.

According to a Hulu statement, “Hulu works with media partners to maximize sellout across Hulu. Hulu sells the majority of the inventory…we are proud to say we have inventory to support both our business and the business of our content partners.” NBCU executives declined to comment, while Fox and ABC execs were not available for comment.

Having the broadcast nets pull back ad inventory is unlikely to put a major dent in Hulu’s inventory volume. The site reached 27.1 million unique users who streamed nearly 1.4 billion videos in August, per comScore.

However, Hulu’s brand has been built as the place to go for current hit TV shows. The site regularly commands CPMs in the range of the broadcast networks’ Web video plays — sometimes between $40 and $50. If Hulu becomes a place where buyers can only access older shows and movies, its stature could change.

“Hulu has professional content, just not necessarily the marquee shows,” said Andrea Kerr Redniss, vp, group director at Moxie Interactive. For example, an advertiser purchasing the comedy genre may be more likely to have its ads run in old episodes of Arrested Development than Modern Family.

Theoretically, that shouldn’t be an issue since Hulu is not permitted to sell specific series. Yet irked buyers say they still catch Hulu sales execs listing specific shows in their pitches, including shows like 30 Rock that are managed completely by the networks. “We constantly have to explain this to our clients,” said one buyer. Many also complain that Hulu still has serious inventory management issues; sales execs will claim that a particular quarter is sold out, only to come back later in the quarter with more avails.

Not all digital buyers share these complaints. “Hulu still garners the most traffic, and our advertisers reach an engaged audience there regardless of what shows people are watching,” said Adam Shlachter, MEC managing partner, digital investment group. Plus, Hulu isn’t just about network quality shows, said Vik Kathuria, managing partner, Mediacom Interaction, but about “buying demos and genres efficiently.”

Yet for all its strengths, some media pundits have questioned where the future of Hulu lies, particularly as the number of options for TV lovers grows. Just last week, Netflix landed a deal with NBC to stream more of its shows on its fast-growing Web streaming service, which is available on Xbox Live, the Nintendo Wii and the soon-to-launch Apple TV. “Netflix is close to becoming the fourth-largest cable company,” said Forrester analyst James McQuivey.