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In 1988, one of the more unusual things a visitor to dirty, dangerous Manhattan would have seen was a trio of blue-painted, black-clad bald men parading around the East Village, doing performance art.
“It was a strange time because there was no music or theater scene. It was the time of Reaganomics and yuppies,” recalls Matt Goldman, who co-founded Blue Man Group with friends Chris Wink and Phil Stanton. Wink and Stanton were working as caterers; Goldman was a software developer.
The
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