Megan Fox, Frank Sinatra and Las Vegas Give Call of Duty Trailer a Cool New Look

A zag from 72andSunny

IDEA: What happens here, stays here … particularly if the city crumbles to the ground.

72andSunny travels to a bombed-out Las Vegas for its latest jaw-dropping, live-action trailer, breaking Nov. 2, for Activision's Call of Duty. This spot, for Ghosts, the 10th game in the franchise, marks the fourth year of the theme "There's a soldier in all of us." The ads have been creatively stellar for years—from TBWA's 2010 Black Ops spot with Kobe Bryant and Jimmy Kimmel through 72's trailers for Modern Warfare 3, with Jonah Hill and Sam Worthington, and Black Ops II, with Robert Downey Jr. They've also been enormously effective, winning 2013's Grand Effie and Adweek's Brand Genius award for Activision CMO Tim Ellis.

The new spot, "Epic Night Out," follows the same general creative path as the earlier spot—unexpected celebrity cameo, potent music, flashy action that mimics the emotion of playing the game—but brings new insights, new toys and a new tone supplied largely by a Frank Sinatra soundtrack.

"Each year we want to shock and awe our audience and the world," said Ellis. "And we feel like this is the best work we've ever done."

COPYWRITING: Squads play a key role in Ghosts, emphasizing teamwork. So, the script for the spot quickly became about camaraderie.

Early on, the creatives stumbled upon the Sinatra track "I'm Gonna Live Till I Die," which put them in a Rat Pack mood. Part of the game is set in Vegas as well. So those two things "almost led us to the storyline," said 72andSunny chief creative officer Glenn Cole. "It will be a night out in Vegas, you and your buddies having a great time. Crazy shit happens, and you wake up the next day and go, 'Holy hell, that was the best night of the year. Let's do that again!' Which is just like playing Call of Duty with your friends."

Indeed, in the spot, four friends race around Sin City, battling snipers, tanks and choppers before finding themselves in other parts of the world and beyond. (They're briefly transported to the Arctic and to outer space, among other locales.) At one point, on a Caracas rooftop, they run into Megan Fox. "How you doing?" one of the guys asks, acting cool. She pushes him aside and blasts a hovering robot out of the sky. "Great. Thanks for asking," she replies. (That's almost the sum total of dialogue.)

The Hangover was clearly a reference point. Said Cole: "The story arc of ending up at [Mike] Tyson's house at 5 in the morning and some crazy shit's going on—our equivalent of that in the spot is, 'Wow, are we in space having a gunfight? Awesome!' "

The scripting of individual scenes involved "a matrix of things," he added. They had locations in mind that would capture the scale and scope of the game. They had specific vehicles and guns they wanted to highlight. "And then, we were looking to build personality moments and connections between our guys," said Cole.

At the end, the four guys walk triumphantly in front of fountains at a scarred casino as the tagline appears: "There's a soldier in all of us."

FILMING/TALENT: Director James Mangold shot the spot over seven days, re-creating Vegas on the Warner Bros. lot and filming the Arctic scenes at an airport in Burbank, Calif., and the space footage on a blue screen.

For the friends, the agency looked for a mix of ethnicities and types—alpha male, prankster, etc. "We thought about the pros and cons of having four guys you know, or four guys you don't know," said Cole. "I think an important question with these [ads] is: At what point might a famous personality overshadow the story we're trying to tell, or the connection we're trying to make? This year it's four guys you probably haven't seen, even though they've had roles in Hollywood."

Fox's scene is all of 10 seconds long, but she's the first woman to be the lead celebrity in a Call of Duty spot. "She's fun, she's sexy, she's cool, she's badass, she's recognizable around the world. And the role was fun," said Cole.

"Video gaming isn't just about dudes today," said Ellis, adding that he generally looks for "unpredictable" stars who don't do a lot of ads.

SOUND: The Sinatra song has "a fun, swaggery, Ocean's Eleven feeling," said Cole. It's lyrically perfect, yet more stylish and less aggressive than past COD soundtracks with AC/DC and the Rolling Stones. "Let's face it, Frank is cool. He's timeless," said Ellis. Sound design was crucial, too, to make the earth shake and the guns blaze.

MEDIA: The spot breaks as a :90 this weekend on Saturday Night Live and will also run as a :60. Other Ghosts ads this year have included a teaser trailer, an Eminem music video and, for the first time, a minicampaign called "Call of Duty Time" celebrating consumer excitement around the launch.

"Even people who will never buy our game, I want them talking about our advertising and our product," said Ellis. "That is the way you build a cultural juggernaut that sustains itself year after year."



Client: Activision Publishing

Product: Call of Duty: Ghosts

Spot: "Epic Night Out"

CEO: Eric Hirshberg

EVP, Chief Marketing Officer: Tim Ellis

SVP, Consumer Marketing: Todd Harvey

Sr. Director, Consumer Marketing: Matt Small

Director, Consumer Marketing: Carolyn Wang

Consumer Marketing Manager: Karen Starr

Associate Consumer Marketing Manager: Andrew Drake

Agency: 72andSunny

Chief Creative Officer: Glenn Cole

Executive Creative Director: Frank Hahn

Creative Director, Writer: Josh Fell

Creative Director, Designer: Rey Andrade

Lead Writer: Jed Cohen

Lead Designer: Jeremy Wirth 

Writer: Matt Spicer

Designer: Will Lindberg

Chief Production Officer: Tom Dunlap

Director of Film Production: Sam Baerwald

Executive Producer: Dan Ruth

Senior Producer: Eric Rasco

Director of Business Affairs: Christine Claussen

Business Affairs manager: Jennifer Jahinian

Group Brand Director: Mike Parseghian

Brand Director: Luke Lamson

Brand Manager: John Moloney

Brand Coordinator: Justin Gonzaga

Production Company: Aero Film

Director: James Mangold

DP: Kramer Morgenthau

Executive Producer: Lance O'Connor

Line Producer: Mary Church

Editorial: Union Editorial

Editor: Jono Griffith

Jr. Editor: Jason Lucas

Executive Producer/President: Michael Raimondi

Senior Producer: Joe Ross

Visual Effects: The Mill Los Angeles

Exec Producer: Sue Troyan

Producer: Leighton Greer

Coordinator: Antonio Hardy

Creative Director: Robert Sethi

2D Lead Artists: Chris Knight / Daniel Thuresson

3D Lead Artists: Felix Urquiza – Assets / Chris Bayol – Lighting / Jacob Bergman – Animation / Ashraf Ghoniem – FX / Thom Price – Matte Painting

Colorist: Adam Scott

Production Designer: Todd Cherniawsky

Mix: Lime Audio post

Mixer: Rohan Young

Assistant: Jeff Malen

Sound Design: The Formosa Group

Supervising Sound Designer: Per Hallberg

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