Film Credits, No Matter How Ugly, Make a Move to the Back

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Speaking of Khoi Vinh, as we were in that last post, he’s got another interesting topic up, talking about the rise of motion graphics title sequences placed at the end of a movie, not the beginning. Such is the case, Khoi says, with The Bourne Ultimatum. He then goes onto talk about the art of the title sequence, how it fully realized much and more, and he even manages to work in some web design parts to boot. How’s that for a fully stacked, short five paragraphs?