35 Rising Agency Talents Who Are Exploding Onto the Scene

Meet the breakthrough honorees in this year's Creative 100

19th & Park leaders Whitney Headen, Tahira White and Nicole Januarie are rapidly building their young agency.
Photo: Flo Ngala

Advertising is a crowded field, packed with entrenched veteran creatives and constantly being supplied with new waves of fresh talent. So it’s no small feat to make a name for yourself as a rising creative star.

Each year, Adweek’s Creative 100 looks at today’s strongest talent across a range of experience levels and disciplines. Check out this year’s rising agency stars below.


Jean Zamprogno and Fernando Pellizzaro

Creative directors, David Miami

Headshot of Jean Zamprogno and Fernando Pellizzaro for Adweek's Creative 100
Photo: Nellie Santee

Hometowns: Vitória, Brazil (Zamprogno), and Curitiba, Brazil (Pellizzaro)

Recent work: “This Coke Is a Fanta” for Coca-Cola. “The world is full of homophobic expressions such as ‘He plays for the other team.’ In Brazil, people say, ‘This Coke is a Fanta.’ Not in a nice way,” Pellizzaro says. “So Coca-Cola decided to take a stand. To celebrate International LGBT+ Pride Day, we launched a limited-edition Coca-Cola can with Fanta inside and a message: ‘This Coke Is a Fanta. So What?’ The idea had zero media investment and got 1 billion media impressions.”

Dream celeb collaborator: “Salvador Dalí,” Zamprogno says, “but I must have the creative control.”

Personal mantra: “Be humble,” Pellizzaro says, “and don’t give up until you make it.”
Minda Smiley


Michelle Lamont and Rose Sacktor

Copywriter and art director, Wieden + Kennedy New York

Headshot of Michelle Lamont and Rose Sacktor for Adweek's Creative 100
Photo: Kristin Gladney/Wieden+Kennedy New York

Hometowns: Los Angeles (Lamont); New York (Sacktor)

Recent work: HBO’s “The Inspiration Room,” an experiential campaign tied to the network’s #BecauseOfHer project. “We’re so proud of the Inspiration Room,” Lamont says. “In the process of creating it, we spent hours every night reading over 800 diaries submitted to us by real women, and it was such a labor of love finding a way to bring those stories to life that felt like it did them justice.”

Advice for aspiring creatives: “Don’t compare your career and your path to other people’s,” Lamont says. “There is no comparison between the sun and the moon. They shine when it’s their time.”

Personal mantra: “It’s just advertising,” Sacktor says. “I mean this in the best way possible. No matter how big you screw up, no one will die over it.”
Doug Zanger


Gabrielle Levy

Integrated producer, McCann New York

Headshot of Gabrielle Levy for Adweek's Creative 100
Photo: Katie Henry

Hometown: Parkland, Fla.

Recent work: “Price on Our Lives” and other campaigns for March for Our Lives. “As an alumna of Marjory Stoneman Douglas High School in Parkland, Fla., I was deeply affected by the mass shooting at that school on Feb. 14, 2018. Not willing to consign myself to ‘thoughts and prayers’ or accept that in others any longer, I set out to work on projects that would expose gun violence in various national and global campaigns.”

Most rewarding part of the job: “Successfully bridging my career and the causes I care most deeply about.”

Best advice for aspiring creatives: “Never be afraid to ask. Ask for advice and guidance. Ask to take on new work or pitch crazy new ideas on your own. Ask for raises and promotions when you feel deserving.”
Doug Zanger


Marques Gartrell and Heather English

Creative directors, Deutsch New York

Headshot of Marques Gartrell and Heather English for Adweek's Creative 100
Photo: Daniella Morrison

Hometown: Philadelphia (Gartrell), and Asheville, N.C. (English)

Recent work: “In the Busch #Car2Can campaign, we turned Nascar driver Kevin Harvick’s historic season No. 4 car into collector’s-edition cans of Busch beer,” English says. “It took us over a year to sell Busch on the idea and then had a fast and furious five months of anxiety, more meetings than we can count, and sweating it out with multiple vendors to get the cans made in time for fans to win them during the Daytona 500.”

Best advice for aspiring creatives: “Always find the undeniable truth in the insight,” Gartrell says. “It’s what makes your audience react.”

Dream celeb collaborator: “Donald Glover,” Gartrell says. “Name the last uninteresting thing he did.”
Doug Zanger


Jen Smith

Creative director, T3

Headshot of Jen Smith for Adweek's Creative 100
Photo: Rachel Martin

Hometown: Cincinnati, Ohio

How she got her start:
“I started my career as a copywriter at a small agency in Cincinnati, Ohio, working on a slew of P&G brands–from Pringles to Bounty, Charmin and Puffs.”

Recent work: “Wishes Delivered” for UPS. “Wishes Delivered [was] a brand storytelling campaign for UPS where deserving people throughout the world were surprised with a life-changing wish. The stories we created gave real people a platform to bring their message of good to a larger audience. I partnered with our Group Creative Director, Aaron Cacali, to oversee all of the storytelling components. That included everything from finding people with an amazing story to tell, planning the wish delivery, providing creative direction on set, and overseeing all of the creative output—totaling 100-plus assets (from long-form video to social-first content).”

How she recharges: “I do some writing on the side, which allows me to keep my mind fresh and meet people who have a totally different perspective of the world.”

Dream celeb collab: “Reese Witherspoon. She’s a fantastic storyteller and huge advocate for fellow women artists. I love that she saw a problem with the way females were represented in her industry and, instead of complaining about it, she did something about it. That’s badass.”
—Minda Smiley


Laszlo Szloboda and Alex Sprouse

Associate creative directors, FCB New York

Headshot of Laszlo Szloboda and Alex Sprouse for Adweek's Creative 100
Photo: Woody Davis

Hometowns: Budapest, Hungary (Szloboda), and Toronto (Sprouse)

Recent work: “The Whopper Detour” for Burger King. “I joined the agency as the idea was in its infancy and worked over the course of the year-plus we were evolving the idea, to concept and bring to life each piece of the campaign,” Sprouse says. “It’s been an amazing experience to work with such a relentlessly positive team. There were many pitfalls that could’ve been a deathblow to the idea along the journey, but BK and FCB had so much faith in the idea that we always found a way around any roadblocks in our path.”

Most rewarding part of the job: “I’ve always gotten a kick out of solving puzzles and logic problems since I was a kid,” Szloboda says, “and getting to do something similar as part of my job as an adult makes my inner child happy.”

Advice for aspiring creatives: “Try to find the right people to work for,” Szloboda says. “It’s people that constantly do good work that will keep on doing so. This was advice that was given to me by someone when I started out, and it proved itself to be true.”
David Griner


Alice Chiapperini and Matteo Capaldi

Senior copywriter and senior art director, AKQA

Headshot of Alice Chiapperini and Matteo Capaldi for Adweek's Creative 100
Photo: Courtesy of AKQA

Currently based in: Portland, Ore.
Originally from: Italy

Recent work: “Unstatus Quo,” the new Palms branding. “How often do you get to completely relaunch a brand—especially one that has Cardi B and Ken Block as partners?” Capaldi says. “As the leading team on the project, we came up with the campaign idea and followed every step of the production—from conception to delivery. I led the copy aspects across the whole project, including crafting the campaign tagline, brand manifesto, film scripts, headlines and social copy.”

“Las Vegas had been offering the same clichés for ages,” Chiapperini says. “To prove that Palms is different from any other destination in town, we literally coined a new phrase, rallying a motley crew of Palms partners—all known for breaking conventions—to bring a feast of different to the Vegas routine.”
David Griner

This story first appeared in the June 10, 2019, issue of Adweek magazine. Click here to subscribe.

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