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Some things are timeless. Sunsets. Waterford glass. And the sort of pubescent angst explored in Frank Wedekind’s spiky classic, Spring Awakening. A morality play on Spanish Fly, it’s lost none of its currency in the 115 years since the “father of German expressionism” wrote it to censure, censorship and sadly few cents. Now reupped as a musical in New York, this unchurchly tale of young sexuality, suicide and abortion is enjoying an extended run at Chelsea’s church-turned-Atlantic Theater Co.
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