YouTube’s Policy Enforcement Is Bad, Media Buyers Admit—But the Platform's Too Good to Quit

YouTube is facing renewed criticism for the way it enforces its policies against hate speech after a Vox Media video reporter criticized the company this week. While the platform is facing increased pressure and criticism, the slew of advertisers that feed YouTube’s massive profit margins still have no plans to leave it. The latest controversy began on May 30 after journalist and video producer Carlos Maza, who works for Vox Media, shared a number of clips of YouTube personality Stephen Crowder using homophobic slurs in YouTube videos over the years to make fun of his videos. Maza, in a series of tweets, said the videos resulted in semi-regular harassment and even doxing attempts, and he called on YouTube to enforce its policies. On Tuesday night, YouTube said it had determined Crowder did not violate any of its policies. Then on Wednesday, in an announcement that seemed intended to change the subject, YouTube said it would start taking more aggressive action on other (problematic, but unrelated) content on its site, like Holocaust denialism videos. Hours later, the platform partially reversed its stance on Crowder’s videos, saying it would demonetize Crowder’s videos because the situation “harmed the broader community and is against our YouTube Partner Program policies.” YouTube, which then attempted to clarify its stance further, did not respond to a request for comment. Maza and other LGBT creators on YouTube say the handling of the situation has been a slap in the face, especially during Pride Month no less, for which YouTube—which has demonetized and restricted videos from LGBT creators—is ostensibly recognizing through a logo change and some original content. But three people who help advertisers plan ad spend and strategy on YouTube said this latest instance is just more of the same on YouTube, and that marketers aren’t going anywhere despite the latest controversy. It’s unlikely advertisers will change how they spend on the platform, the people said, because brands aren’t feeling the pressure. [kickout id="1"] “For the most part, brands haven’t had blowback, so I think that’s allowed them to kind of stay the course,” said one media buyer, who requested anonymity so as not to risk business relationships with YouTube. "Most of the blowback is focused on Google and YouTube, and it hasn’t been focused on the advertisers. As long as advertisers don’t feel like they are being held accountable to this, they don’t necessarily have to grapple with it.” The buyer, who said the situation was “concerning,” said it was unlikely advertisers will face boycotts or direct impact. Because of that, he didn’t expect ad spend on the platform to change in the near future. For some advertisers, YouTube’s offerings are just too good to quit the platform. Albert Thompson, the managing director of digital at the agency Walton Isaacson, said YouTube is unmatched in terms of targeting, especially when it comes to search data and map location data. Leaving YouTube just isn’t an option, he said, because there’s nothing quite like it in the market. Instead, for the last several years, buyers have been keen on making sure their content is nowhere near the kind of controversial content that might put a brand in a reputation bind. That’s been Thompson’s approach, at least, and he expects his clients’ YouTube spend to increase year-over-year because of it. The clients Thompson works with on the platform (namely, Lexus and the NYPD) use a number of brand-safety guardrails to protect their ads from appearing near controversial or offensive content. That approach shields brands from direct reproach from consumers, effectively allowing the companies to side-step questions about what kind of platform, exactly, their ad dollars are supporting. In an interview with Adweek, Maza implored advertisers to take a closer look. [kickout id="2"] “If you run ads on YouTube, even if you only run it on positive content, you are de facto supporting the ecosystem that allows abuse to thrive,” Maza said. “This stuff is fungible. You can’t separate it. If you give YouTube ad money, you are giving money to an ecosystem and a tech infrastructure that arms bullies. It doesn’t really matter where the ad runs. It matters where the money goes.” One person involved in the media buying process (who also requested anonymity so as not to risk angering YouTube) said brands shouldn’t be surprised that YouTube is facing this latest controversy. If advertisers are on YouTube, she said, they should know what they’re getting into. That person was somewhat resigned to the fact that most social media platforms come with some risk and toxicity—and that there’s very little individual buyers can do. While media buyers might not be pulling their dollars now, one buyer said he expected the continued deluge of bad press for YouTube to eventually damage their standing with advertisers, who might then seek out alternatives. One opportunity, he posited, was OTT and streaming, especially as the platforms continue to mature. In the meantime, though, he said there’s no real viable alternative to YouTube. Thompson postulated that YouTube will always be part of the equation for buyers as long as consumers are there. “The consumer isn't going to bail on YouTube as an environment,” Thompson said. “You have to figure out: How are you going to speak to them in that environment?” Maza said he expects the problem of unsafe or bigoted content will only get worse if YouTube doesn't evenly enforce its policies. Eventually, he said, advertisers will have to grapple with it, like it or not. “YouTube basically gave a green light to abusers to use race and sexual orientation and ethnicity as a weapon in controversial discussions, which means people are going to be emboldened to do this more aggressively,” Maza said, adding that eventually marginalized groups prone to harassment might leave YouTube entirely. “That just means all this is going to be more widespread.”

General

YouTube’s Policy Enforcement Is Bad, Media Buyers Admit—But the Platform's Too Good to Quit

Not even the latest Stephen Crowder controversy will curtail its ad revenue

UNLOCK FULL ACCESS

Kelsey Sutton

Convergent TV

2026 VMAs Was Taylor-Made for Big Viewership Boost, 51% Increase

Marketers, You Have 9 Minutes to Earn Attention

Holy H-E-Double Hockey Sticks: Adobe Is Bringing AI to the NHL

Move Over, Taylor Swift. The Brands Are About to Spice Up the VMAs

Michelob Ultra Shoots and Scores Multiyear NHL Partnership

C-Suite Shocker: David Ellison Adds a Co-CEO for Merged Paramount-WBD

How HBO's Marketing Shined a Green Spotlight on Lanterns

TV Measurement Companies Comscore, iSpot, and VideoAmp Get New Vote of Confidence

Is Disney+ Adding Ads to Ad-Free Plans? Here's What's Really Happening.