From “Untilled” (2011-12), Pierre Huyghe’s Documenta 13 project, which was installed around a park’s compost heap.
“To a certain extent, I have always used animals in my work. This might have increased in recent years and become more overt. But even in my 20s, I did a show with a lot of animals. I think a major turning point, however, was my show at the National Museum of Art and Popular Traditions in Paris [2009-10]. I became fascinated by the work in progress. I realized that what I was more and more attracted to was the aspect that was undetermined. You frame a rule, set the conditions, but you cannot define how a given entity will interact with another. I can never fully determine what animals will do; it’s certainly not my aim to have one animal eat another, although that can happen. What I show is a set of elements and the way they collide, confront and agree with each other. In a certain way, I construct a play. I don’t want to exhibit something to someone any more. I want to do the reverse: I want to exhibit someone to something. It’s random… I don’t even know what will happen most of the time.”