“Firmness, commodity, and delight.” These are the three words—cribbed from Vitruvius, who considered “firmitas, utilitas, venustas” to be the fundamental principles of architecture—that appear on the Louis Sullivan-inspired bronze medallion that is awarded to each laureate of the Pritzker architecture prize. This year the coveted hardware goes to Shigeru Ban, who’ll receive it along with $100,000 at a ceremony at the Rijksmuseum in Amsterdam on June 13.
Ban is the seventh Japanese architect to receive the prize, which has previously been awarded to Toyo Ito, Kenzo Tange, Fumihiko Maki, Tadao Ando, and SANAA’s Kazuyo Sejima and Ryue Nishizawa. “Receiving this prize is a great honor, and with it, I must be careful,’ said Ban upon learning that he had been selected as the 2014 laureate. “I must continue to listen to the people I work for, in my private residential commissions and in my disaster relief work. I see this prize as encouragement for me to keep doing what I am doing—not to change what I am doing, but to grow.“ Ban’s latest stateside project, a new building for the Aspen Art Museum, will be unveiled this summer.