Photo: Iwan Baan
“Once again, [landscape architect Piet] Oudolf’s selection of botanical material is superb. This summer it featured such flowering perennials as allium, catmint, coral bells, cranebill, rosemary, salvia, and yarrow, along with trees and shrubs including chokeberry, holly, magnolia, redbud, roses, sassafras, and shadblow. His random-looking (though deliberately composed) planting beds simultaneously pay homage to the wildness of the High Line in its gone-to-seed phase and seamlessly accommodate the many functional requirements of a heavily trafficked pedestrian concourse.
The new segment also remedies one of the few objections the first phase of the design raised among environmentalists: the use of ipê, a tropical wood that activists have deemed ecologically destructive and unsustainable. Since then, the designers have specified reclaimed teak, which possesses the same weather-resistant properties as the controversial earlier selection.”
–Martin Filler evaluating the recently opened second segment of the High Line in a post on The New York Review of Books’ NYRBlog