When Kirk Honeycutt joined the Hollywood Reporter in 1992, his name was attached as screenwriter to the Roger Corman made-for-video thriller Final Judgement (sic). Brad Dourif plays a preacher investigating the murder of his estranged daughter and other strippers, alongside the estimable talents of Karen Black, Isaac Hayes and Orson Bean.
The glory days of low-budget VHS studio production are long gone, as are rock-solid film critic positions like the one Honeycutt was lucky enough to occupy from 1999 through the fall of last year. As first reported by Anne Thompson, the former chief film critic of the revamped Hollywood trade has been given his walking papers. His last day will be next Monday, following a stint as a THR juror at the Napa Valley Film Festival.
Ironically, Honeycutt’s switch to international critic and now layoff was brought about by the arrival of Todd McCarthy, Variety lead critic until a spring 2010 firing. These are different times on Wilshire Blvd., buffeted by the fact that the trades no longer have a monopoly on setting the buzz for major releases with those once vaunted first-look reviews.
In his role as international critic, Honeycutt most recently reviewed A Very Harold and Kumar 3D Christmas and the Brooklyn indie Boy Wonder. Looks like the borders became blurred for him at THR, in more ways than one.
“THR is grateful for the contributions that Kirk Honeycutt has made to the publication and wish him the best in his future endeavors,” a spokesperson stated to FishbowlLA via email. “We are looking forward to continuing to provide readers with exceptional film coverage from our excellent team of reviewers in the US and abroad.”
[Photo courtesy Los Angeles Film Critics Association]