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Nadia Comaneci Brings Her Perfect 10 to Cannes for Visa and TBWA

Agency, client and athlete dissect Olympic campaign

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CANNES, France—Thirty-six years after the momentous day in Montreal when she scored the first perfect 10 ever in Olympic gymnastics history, Nadia Comaneci still can't believe it really happened.

"It's always emotional when I watch that," the Romanian athlete, now 50, told an audience at the Cannes Lions festival here, immediately following the world premiere of her new Visa commercial, which shows footage of that infamous routine on the uneven bars.

"I was 14 years old in those Games in 1976, and I was too young to know what was going on," she said. "I was hoping my mom and dad were watching me. It was 2 in the morning back in Romania. I had no idea of history or anything."

She once again told the well-known story of how the scoreboards in the Montreal arena were not equipped to actually show a score of 10. Not knowing what else to do, the scorekeepers listed the score as 1 instead. "I thought it was a pretty good routine, but then I saw the 1 on the scoreboard. I was like, 1 is not a good score," Comaneci said. "The history of the perfect 10 is really a 1. But 1— being first—is good, too."

Comaneci was a special guest on the panel, which was convened to discuss TBWA's long-running Olympic marketing campaign for Visa. "It's an honor to be a part of this," she said of her new spot—shown on the video screen in the Debussy Theater—part of Visa's gold-hued 2012 Olympics campaign from TBWA\Chiat\Day in Los Angeles.

Antonio Lucio, global chief marketing, strategy and corporate development officer at Visa, said the company is proud of its 25-year association with the Olympics—and that it's been perfect platform from the beginning because of the global nature of the event and the global availability of Visa's credit-card services. But while the campaign focused in the early years on that more rational product pitch—with the line "It's everywhere you want to be"—it has since evolved into almost purely emotional messaging, first with "Life takes Visa" and now with "Go world."


 

"Go world," which was originally conceived as "Go humans," purely celebrates the human achievement on display at the Olympics, and pointedly eschews any sort of nationalism or favoritism. It celebrates all athletes from all countries—the ones in the spots are simply those with the most amazing and compelling stories.

"We are normally 50/50 on rationale/emotional in our marketing," Lucio said. "With the Olympics, it's 100 percent emotional. But even the rational dimensions of our brand grow with Olympic marketing. With consumers, once the heart is committed, the brain will follow."

Patrick O'Neill, executive creative director on Visa at TBWA\C\D, related the recent history of the campaign, saying the black-and-white still imagery used in the early 2008 spots was inspired by Ken Burns's Civil War miniseries—and that showing moments frozen in time captures universal human truths. ("TV was black and white when I was competing," Comaneci interjected jokingly.)

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