Attack of the Shack | Adweek Attack of the Shack | Adweek
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Attack of the Shack

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When word hit that RadioShack was unofficially changing its name to "The Shack," it was like bloggers, tweeters and comedians everywhere had received manna from heaven. At a time when no one could take another tabloid revelation about Jon or Kate, and news of the economy was still pretty grim, there was suddenly a delicious new target. The put-downs were brutal.

And I agreed. How embarrassing of them to try to become hip and/or sexy overnight! Wasn't this the retail equivalent of that very special moment on Family Matters when Steve Urkel tried to suppress his nerd genes and bring out his cool genes by becoming Stefan Urquelle? In the end, the girls saw right through it, and wanted good old Steve back.

On the other hand, when was the last time people talked at all about RadioShack? And it's understandable that the new agency, Butler, Shine, Stern & Partners, would start with the name. Granted, there's not much to work with here. Yes, the word "Shack" is problematic, suggesting screen doors, flip-flops and/or shagging (in the British sense), or an ironic association with the 1950s. You don't want to buy elaborate tech devices from a shack unless you're a character in a Judd Apatow movie and your crush works there.

But you have to admit that "Radio" is even more of a loser. It sets the place squarely in the past. It's like being called Victrola Junction, Gramophone Alley or Telegraphy Barn.

For me, however, the bigger problem than the name was the in-store situation -- an alienating experience captured perfectly in a 2007 story in The Onion titled, "Even CEO Can't Figure Out How RadioShack Still In Business."

I used to cheap out and buy RadioShack phones for my landline, until I realized they tended to die after about three months. Also, even if there were only one other customer in my neighborhood store, which is teeny but convenient, the wait was ridiculous. Even with the most basic stuff, like batteries or cables, the guy had to go into the basement looking for stock -- and seemed to get stuck in Bratislava.

Obviously, you can't solve those kinds of problems with a name change and ads. In this economy, the best (and perhaps only) advertising is a great product and great service.

But when I saw Butler, Shine's first work for the chain, I had to admit it was good. The 15-second spots are nicely designed, varied and amusing, but also attention-getting. They seem less like traditional commercials and more like digital interstitials popping up on the TV screen -- something new in my living room.

The first two-backed by indie music, with the title card saying "Our friends call us The Shack" -- look great, with more modern colors (apple green, brown, aqua, gray) compared to the old, Reagan-esque red-and-black combo. No attempt is made to change the red-and-black logo when the store is shown, which seems honest.

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