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Ad of the Day: Lexus Sprinkles Magic Dust on This Year's 'December to Remember' Ads

Grown-ups are kids again in Team One's new spots

"It had to be epic, magical and yet totally realistic."

Lexus's "December to Remember" ads, with the luxury vehicles done up in those famous giant red bows, have become as much a part of the holiday firmament as Santa Claus himself. And this year, Team One aims to capture the full spirit of the season by suggesting a new Lexus is the only thing that can give grown-ups that magical feeling of being a kid on Christmas morning.

Three spots feature parents telling their children fantastical stories of how they received a Lexus for Christmas. And no, one spouse didn't just surprise the other by festooning it in an oversize ribbon and parking it in the driveway.

"Christmas Train," which evokes The Polar Express, shows a Lexus IS F Sport sedan being delivered via rail from the North Pole. "Magic Box" shows how large objects, like a Lexus ES sedan, can come in extremely small packages. And "Teleporter" tells of a special ice-covered elf machine that transports a Lexus RX luxury crossover from a winter wonderland into a family driveway.

All three spots end with the voiceover: "The magic of the season is here, at the Lexus December to Remember Sales Event."



"I still remember getting bikes, Evel Knievel toys, Six Million Dollar Man dolls and so many more toys. What else, besides an awesome new car, could come close to that feeling now?" Jason Stinsmuehlen, group creative director at Team One, tells Adweek. "We're illustrating that with Lexus, you're never too old for toys."

Team One presented a dozen campaigns to the client, but this one stood out.

"We simply asked the question, 'If we were going to say Santa brought our new Lexus, and our kids wondered how that was possible, how would we say Santa was able to pull that off?' " Stinsmuehlen says. "Clearly the typical 'Santa's sleigh' narrative wouldn't explain how a new car could show up, so we embraced the innate creativity that exists in all parents. The overlapping storytelling voiceover that transitions to on-camera dialogue was the executional insight that made it work."

Motion Theory director Grady Hall and postproduction company Mirada wanted the spots to have the feel of timeless holiday magic.



"Our goal was to live up to the production values of any theatrical holiday film. It had to be epic, magical and yet totally realistic," Stinsmuehlen says. "We decided to shoot as much as we could in camera, including a giant train pulled on a flatbed truck down a Vancouver neighborhood street and building a huge LED arch for our teleporter to project believable light in our sets."

After changing creative direction on this ad franchise regularly over the years, Team One thinks this one might have more staying power.

"Visualizing a parent's imagination is about as free an exploration as you can ask for," says Stinsmuehlen. "My hope is that if this campaign gets traction, it'll be something we'll keep trying to top for years to come."

And don't expect the big red bows, which have been around since 1999, to be thrown out anytime soon.

"The bow is a Lexus holiday icon that people know without even seeing a Lexus logo. We'd never walk away from something that powerful," Stinsmuehlen says. "It is, admittedly, one of those ad images that some have lampooned. But like the [Coca-Cola] polar bears and [Budweiser] Clydesdales, we hope it's an icon that's as welcome as any marketing during the holidays can be."



CREDITS
Client: Lexus
Title: 2014 December Sales Event TV, Holiday Stories: "RX Teleporter," "IS Christmas Train," and "ES Magic Box"

Agency: Team One
Chief Creative Officer: Chris Graves
Group Creative Director: Jason Stinsmuehlen
Copywriter: Daniel Streadbeck
Art Director: McKay Hathaway
Copywriter: Dave Carlson
Art Director: Bernie O'Dowd
Art Director: Amy Servidea
Copywriter: Aroon Muhkey
Art Director: Bryan Carroll
Art Director: Patrick Dougherty
Executive Producer: Sam Walsh
Producer: Amy Gershwin
Associate Producer: Tiffany Otoya
Account Director: Joel Dons
Account Supervisor: Trina Sethi
Director of Strategic Planning: Noel Sullivan
Senior Strategic Planner: Ashleigh Edwards
Senior Project Manager: Amanda Rackley
Senior Business Affairs Manager: Janet Anderson
Director of Product Information: Robert Jordan
Media Planner: Jarod Knight

Post Production Company: Mirada
President: John Fragomeni
Executive Producer/General Manager: Patrick Nugent
VFX Supervisor: Zach Tucker
Creative Director: Jonathan Wu
CG Supervisor: Michael Shelton
Senior Producer: Diana De Vries
Production Coordinator: Jami Schakel
Editor: Hal Honigsberg

Production Company: Motion Theory
Director: Grady Hall
Founder/Executive Producer: Javier Jimenez
Head of Production: Ben Leiser
Producer: Oualid Mouaness
Director of Photography: Trent Opoloch

Vancouver Production Company: Capitol Media
Executive Producer: Christian Allen
Head of Production: Keely Stothers
Line Producer: Abigail Flint

Editorial Company: Nomad Editorial
Executive Producer: Susye Melega
Editor: Tom Muldoon
Assistant Editor: Steve Miller
Post-Producer: Tommy Murov

Telecine: The Mill
Colorist: Adam Scott

Music Company: Robot Repair
Executive Producer: Doug Darnell
Composers: Aaron Alden, Josh Hawkins, Mike Schanzlin
Sound Designer: Doug Darnell

Voiceover: Maurice LaMarche

Recording Studio: Juice Studios
Sound Mixer – Bob Gremore

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