(Photo: Seth Browarnik for Design Miami Basel)
When last we saw Kanye West, he was wandering the tulip-lined halls of the European Fine Art Fair (TEFAF). His latest appearance on the international art circuit (Gray hoodie? Check.) was at Design Miami Basel, where, in the wee hours of Thursday morning, he gave an impromptu listening party for Yeezus. The album, due out on June 18, is expected to sell 500,000 copies in its first week of release.
Some 2,000 guests (Hans Ulrich Obrist? Check.) gathered–amidst a few Rick Owens chairs–at the center of the Herzog and de Meuron-designed Hall 1 Sud at Basel’s Messeplatz to sample West’s latest, including a track produced by Daft Punk and an a capella rendition of “New Slaves,” which includes a shout-out to Alexander Wang. The decision to appear at Design Miami Basel makes perfect sense considering that West has moved on from George Condo to…Le Corbusier. In a recent interview with Jon Caramanica of The New York Times, he pointed to architecture as influencing the pared-down vibe of Yeezus:
You know, this one Corbusier lamp was like, my greatest inspiration. I lived in Paris in this loft space and recorded in my living room, and it just had the worst acoustics possible, but also the songs had to be super simple, because if you turned up some complicated sound and a track with too much bass, it’s not going to work in that space. This is earlier this year. I would go to museums and just like, the Louvre would have a furniture exhibit, and I visited it like, five times, even privately. And I would go see actual Corbusier homes in real life and just talk about, you know, why did they design it? They did like, the biggest glass panes that had ever been done. Like I say, I’m a minimalist in a rapper’s body. It’s cool to bring all those vibes and then eventually come back to Rick [Rubin], because I would always think about Def Jam.