Christopher Morris‘ series of films for Time seems to go against every social multimedia impulse. Instead of strategic, one or two minute cuts, six-second vines, or the mesmerizing endless loop of the GIF, Morris has created videos that creep across the screen, so slow they look like they were created by cameras panning over stills.
They were instead captured by a Phantom camera, which takes 720 frames a second.
In this extended sense of time, candidates wave their arms with almost balletic grace.
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