Literary rediscoveries form a routine part of cultural life. They have a certain protocol. A given author has been “unfairly neglected.” The reissue of a book is “long overdue.” The rescue from oblivion is, in effect, the righting of a wrong.
The most striking thing about the case of Emma Dunham Kelley-Hawkins is that, for once, the process is running in the opposite direction. Now that it’s clear the author was not African-American, her novels seem destined for something for which we lack a familiar language — or even a name. Kelley-Hawkins is now due, for want of a better term, to be reforgotten.
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