What Powers Creative Excellence at Cannes? Oftentimes, It’s Envy
If there's any common theme in the advertising business culture, it's envy. You only need to read a few comments deep on any advertising blog to feel the barely disguised glare of "invidere" (Latin for "to look with malice").
Here’s Who’s Heading the 10 Juries at The Clio Awards This Year
Creative leaders from Ogilvy & Mather, Leo Burnett and R/GA are among the jury chairs for the Clio Awards this year.
New Cannes Award Honors Creative Work That Shatters Gender Bias
Industry activist Cindy Gallop said she is shocked over her selection as jury president for the new Cannes Glass Lion award, considering she's been a bit of a thorn in its paw.
Last Call for Entries in Adweek’s Project Isaac Awards
We're down to the final hours for entry in this year's Project Isaac awards, Adweek's annual program honoring inventive ideas in media, technology, marketing and advertising.
Check Out the Trailer That Was Just Named the Best of the Year
This is it: the best trailer of the year. Or at least that's the opinion of the top awards show for advertising in the cinema, TV and video game industries.
2013's Grand Key Art Award for audio/visual, the highest honor in The Hollywood Reporter's Key Art Awards, has been bestowed on the trailer below for Martin Scorsese's upcoming film, The Wolf of Wall Street.
Created by Industry Creative, the preview keeps up a frenetic and lighthearted staccato fueled by the Kanye West track "Black Skinhead." The winning spot began running back in June, but you can check out the newest trailer after the jump. Via The Inspiration Room.
Advertising Awards Show Lets Angry Losers Physically Abuse the Winning Work
Envy is perhaps the strongest emotion in the ad business, no more so than at awards shows. Now, one advertising awards show has gone to ludicrous lengths to help its bitter non-winners get a modicum of revenge against the winners.
After its most recent show was over, the Kiev International Advertising Festival built special rooms designed to let the losers physically abuse the winning work through a Web interface. One room featured a TV on the floor and a bunch of live chickens walking around—you could pick the winning spot you hated the most and have it play on the sceen, and watch the chickens crap on it. (Fake chickens with more regular defecations were installed for maximum messiness.) Another room allowed you to pick winning print ads and see them shredded before your eyes.
Childish? Certainly. Satisfying? Possibly. See more of the rooms in the video below.