You Can’t Be Creative Without Data

It doesn't have to be the enemy

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Creative professionals often wear their disdain for data like a badge of honor. It is common for creative teams to see research and data as soul-sucking-creativity-killers … as barriers that stand in the way of their cherished ideas.

But even when they favor instinct over research, they’re still using data—the data they’ve collected through experiences and observation over the course of their lifetime. There are times when this data set suffices. However, sometimes creatives have to look outside of their personal experiences and draw on consumer data.

Technological advancements in market research can supercharge the creative process by providing rich insights into highly targeted niche consumer groups. When used correctly, data is not the enemy of creative; it can be its most powerful ally.

To understand how data can help creativity, it is important to demystify it. The ancient Greeks believed that creativity came from a divine spirit that the Greeks named Daemon. The Romans believed it came from a spirit they named Genius. While the eureka moment often feels like divine intervention, those who study creativity attribute it to something called “conceptual combination.” That’s fancy talk for blending unrelated ideas in novel ways. Kind of like Reese’s Peanut Butter Cups. Chocolate. Peanut Butter. Both great on their own. But put them together … Genius!

To create effective advertising or content you need to have a common frame of reference with your audience and understand what will resonate with them.

Creativity is a lot like joke telling: both work by violating expectations. You have to surprise your audience, and both work much better when the audience understands and appreciates what you did to surprise them. Just as humor is subjective, so too is creativity … it depends on whether or not the audience gets it. As a creator, it’s up to you to make sure they do.

Let’s take a look at a joke from one of my favorite creative ads of all time.

The ad was the handiwork of veteran art director Matt Vescovo. When I asked him if he relied upon data to know whether people would get the joke, his reflex response was, “No. You just know in your gut.” But when I pressed further to ask how his gut knew, he talked about the “rigorous internal checklist” he runs through to validate a concept.

“Any good creative person has a good back and forth between their right brain and their left brain. The right brain comes up with the creative idea and then the left-brain fact checks it. I’ll come with an idea, and say ‘Do other people think that, or just me?’ How many times have I seen this? How many times have other mentioned it to me?’ The data side of my brain keeps the right side of my brain honest.”

So, he didn’t rely on a research report, but he did lean on insights he personally collected over his lifetime. Would he have been just as certain if he was creating the ad for a Swedish audience? Likely not. That challenge isn’t limited to creating for foreign cultures. Creating for unfamiliar subcultures in your own country is equally tricky.

Marketers are slicing audiences thinner than ever, and consumers are expecting more refined and personalized advertising. The smaller the target, the harder it gets to hit the mark. As the niches increase, the chance that the creative professional is part of the niche decreases. This is where external data can play an important role.

Social media data is a remarkable source of unsolicited, unbiased consumer data. Interest and interconnectivity trends can help creative marketers “collect dots” in social spheres where they have no experience, no exposure, and no gut feelings to rely on.

NexTech, July 27-30, 2020 Save your virtual seat for Adweek NexTech, July 27-July 30th to explore privacy, data, attribution and the benchmarks that matter. Learn more.

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