Man Made Music’s Joel Beckerman on Creating Political Soundtracks for CBS News, Hillary and Trump

The roster of media mavens, moguls and boldface names spotted today at Michael's.

DianeClehaneLunch_FeaturedI was joined today by Joel Beckerman, founder and lead composer of Man Made Music, a bicoastal “strategic” music and sound studio. You may not know Joel’s name,¬†but I guarantee¬†you know his work. Man Made Music is responsible for scores of (get it?) instantly recognizable tunes you’ve heard watching some of the biggest news events of the day, at the movies¬†or cheering on your favorite Super Bowl contender. Joel, who Fast Company has heralded as one of their “Most Creative People¬†in Business 1000,” has personally created or produced¬†original scores for more than 50 television programs, won ASCAP‚Äôs ‚ÄúMost Performed‚ÄĚ theme award for the past eight years, and has developed signature sonic branding programs for global giants including Disney and¬†AT&T.

Diane Clehane and Joel Beckerman

In preparing for our ‘Lunch,’ I was astounded to learn just how many iconic themes Joel¬†was responsible for, including the reboots of the classic NBC chime and the decades-old HBO theme used to introduce the cable network’s¬†original¬†series¬†and movies, as well as¬†the music for Super Bowl XLVI.¬†He also worked on this year’s¬†Academy Awards and has a top secret project in the works for next year’s telecast.

A pianist who attended New York University, Joel’s passion for his work came through in everything he said. “We respond quicker to sound than any other of the five senses. During the course of our conversation, he frequently cited studies he’d read and used in his book, The Sonic Boom: How Music Transforms the Way We Think, Feel and Buy. In creating a theme for a show, film or brand, the mission is the same, he explained. “It has to capture the spirit of the brand and couldn’t be used for anything else. That’s the high bar we set for ourselves.”

I was most interested in talking to Joel about his work in television news and his thoughts on creating soundtracks for Hillary Clinton and Donald Trump¬†(More on that later.)¬†Most recently he was charged with creating the music for CBS News’ coverage of the upcoming presidential election. Shockingly, the network had been using the same theme music which premiered in 1987. “Ours in the fourth theme written,” Joel told me. “Before the themes were used, there was just teletype sound.” Joel and his co-writer Wayne Sharpe¬†were tasked with creating something original that conveyed a sense of “moving forward” for both the news division and the country. Previously, Joel produced the session where James Horner created the theme for¬†the CBS Evening News with Katie Couric and wrote a couple of dozen melodies with Horner’s melody.

Last month,¬†a version of the music Joel created for the network’s election¬†coverage became¬†the theme of the CBS Evening News, which is a great source of pride for this self-described news junkie. He wanted to bring “an elegance” to “the program of record” that reflected not only the spirit of the broadcast but the persona of its anchor. “Scott [Pelley] doesn’t insert himself into the story,” said Joel. “He elevates the work of his colleagues. [Creating the theme] was a very meaningful project.”

Joel describes the theme of the broadcast as having “worldliness¬†and trustworthiness” as well as a “forward motion”¬†composed of strings (for worldliness), lower brass (trustworthiness) and short note percussion (forward energy)¬†recorded with¬†a 35-piece orchestra.

For the debut of CBS This Morning, Joel wanted to capture the spirit of the show’s anchors and differentiate the broadcast from its more infotainment-focused competitors. He and his co-writers¬†came up with a “drum groove idea” that captured both the “credibility and trust” of Charlie Rose and the “accessibility” of Gayle King. “Charlie is a rock star in his own way. He gets people to speak very personally and Gayle has a very sharp intellect and could also be an audience member. There’s no artifice there.”

In the studio, despite protestations from his colleagues, Joel decided there needed to be some “quirkiness” to the theme — and stuck to his guns. “You have to be careful not¬†to throw out unvarnished ideas,” he told me, explaining that he and his team employs ‘the hour glass flip,’ where if something doesn’t seem like it’s working when¬†the sands of the hourglass runs out, they start over. In the¬†case of CBS This Morning,¬†the theme wound up being¬†“wake-up music that pulls you in rather than pushes you out,” said Joel. “It’s one of the most satisfying projects I’ve ever done.”

When I asked Joel what other projects he found most rewarding, he reeled off a list that included producing¬† the soundtrack for King, a documentary about the assassination of Martin Luther King from the History Channel and NBC, his work with many Grammy nominated artists, co-producing a poignant arrangement of U2’s Pride in the¬†Name of Love featuring John Legend’s locals and piano solo and the theme of¬†Entertainment Tonight co-produced with Another favorite work: the ¬†theme of Anthony Bourdain’s¬†show, No Reservations. “It’s¬†proto-punk¬†which is a stripped down version of punk,” he told me. “It’s perfect because Anthony is a rock ‘n’ roll chef who says playing Billy Joel in his kitchen is a criminal offense.”

Joel also counts his work for NBC Sports among his most exciting projects. When NBC approached Joel about “expanding”¬†the work legendary composer John Williams originally created for the network’s football games, Joel told me he had more than a little anxiety tackling and tweaking the work of a “genius.”¬†Joel¬†was so anxious that he asked Williams if he wanted to do the work himself and went ahead only after he’d gotten his blessing. “He said ‘Do what you think is right,” recalled Joel, who added a “rock underpinning” to the soundtrack and was thrilled when he got word from Williams that he liked the end result. And of course, there’s Super Bowl XLVI. “Every time there’s a Super Bowl, it raises the bar,” he told me.

Believe it or not, Joel’s work is just as far reaching and impressive beyond soundtracks. Every brand, he said, needs “sonic sound” not recycled pop tunes to convey the right energy and image to their customers. While the “perfect” pop song “it works” in some cases, but Joel cautioned, “The days of¬† selling people stuff [with heavy techniques] … people can smell that a mile away.” Innovation always rules the day. IMAX came to Man Made Music looking for a sonic identity system that would not only highlight their mind blowing technology but also emotionally prepare the viewer for the highly anticipated event to come. The solution? The IMAX Pure Experience anthem, featuring ‚ÄúThe Drop‚ÄĚ, an iconic musical signature created with electronic elements, and a 150-piece orchestra accompanied by a 75-voice choir. ‚ÄúI‚Äôm a huge fan of the IMAX experience,” Joel¬†told me. ”¬†Their tireless dedication to innovating their technology¬†brings films¬†to life for fans in a visceral way. ¬†It’s such an honor that they asked us to help create a musical ‚Äėvoice‚Äô for the brand that acts as a beacon, and gets them credit for what they bring before every IMAX film across 65 countries‚ÄĒ over 1.4 million showings per year.”

These days Joel is hard at work on a “top secret” virtual reality project for NBC’s broadcast of the Olympics and the soundtrack for the upcoming independent film, Cook Off! which stars “an amazing roster of character actors” and a “hilarious” extended cameo by a pre-stardom Melissa McCarthy (“It was shot before she was famous”). Apologizing for being a little fuzzy on some of the dates of his past works this afternoon he explained, “I’m running around with the theme [of the film] in my head and it will stay there until it’s finished.”

Now back to what he’d do for Hillary or Trump if he had he chance to create a theme for them. “I’d have to know what it’s for,” he said then added,¬† “As a composer, I can’t pass judgment on a person,”¬†he said as we¬†finished up our lunch.¬†“I have to find the truth.” We decided for¬†argument’s sake,¬†he’d be creating music for documentaries on the candidates. For Hillary, he said he’d create a theme to be played on the piano¬†that reflected her “family life, activism” and her unique role in American politics. “Something lyrical with profound melodies.” For Trump, Joel said he’d want to¬†mirror¬†the Republican nominee’s “fascinating family life and relationship with his domineering father” as well as his professional journey and creation of his “personal brand.” A tall order for one piece of music, no? When I asked what instrument would dominate the soundtrack to Trump’s life Joel answered without hesitation — “a trumpet” explaining, “It can be used a lot of different ways [to show] the warmth of the relationship he has with his children and¬†his bravado and, if you mute it, the trumpet can be comedic.” Insert your own joke here.

Here’s the rundown on today’s crowd:

1.Todd Bishop

2. Glamour’s Connie Anne Phillips — loved that fab fuchsia dress!

3. Dini von Mueffling, Page Six’s Emily Smith and Marisa Acocella Marchetto

4. Jean Louis-Alpeyrie

5. Michael Wolff

6. Producer John Hart and pals

7. Beverly Camhe who told me her son Todd Camhe’s movie, Sister, about a¬†family’s struggle with ADHD¬†starring Reid Scott and Barbara Hershey¬†is premiering on Showtime tonight. Congrats!

8. Cynthia Lewis

9. Marcy Drogin

11. Leslie Stevens

12. Digital Place Based Advertising Association CEO Barry Frey

14. Mitch Rosenthal

15. Bob Towbin

17. George King

18. Wonder what they were talking about: AMI CEO David Pecker and  48 Hours executive producer Susan Zirinsky

20. Pamela Kawi

21. Quest’s Chris Meigher

22. Neil Chen

23. Krishan Bhatia

25. PR maestro Tom Goodman

27. Joel Beckerman and your truly

Diane Clehane is a FishbowlNY contributor. Follow her on Twitter @DianeClehane. Send comments and corrections on this column to LUNCH at MEDIABISTRO dot COM.


@DianeClehane Diane Clehane is Adweek's weekly 'Lunch' columnist.