For the Love of Media

What do the death of Osama Bin Laden and the television upfronts have in common? They make new media guys anxious.

Osama represents the greatest story of the moment, a story that new media broke and spread (achieving historic numbers), but which it doesn’t own and which it can’t shape or influence. Twitter may deliver it, but yet is strangely passive in the face of it.

The upfronts represent money, advertising money, great, fabulous, continuing, gobs of it, vastly more than any new media companies are making in their efforts to court it.

The historic push-pull for digital platforms and the people who control them has been about how much they are in the media business versus how much they are mere utilities or software delivery systems.

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