Top Artists Put a Modern Spin on Classic Peanuts Characters for Ambitious Global Project

Keeping the 70-year-old brand fresh by presenting Snoopy, Charlie Brown, Woodstock and others as you've never seen them

A view of the immersive installation that awaits shoppers at the Siam complex in Bangkok. Peanuts
Headshot of T.L. Stanley

One of the grandest malls in Southeast Asia, the Siam complex in Bangkok that attracts some 250,000 people on a typical weekend, got a floor-to-ceiling infusion of cute this month, with a giant version of Snoopy’s red doghouse, pop-up shops selling graffiti-inspired Lucy Van Pelt swag, a Peanuts village and large-scale art installations featuring Charlie Brown, Woodstock and other characters from the classic brand.
It’s the latest (but far from the last) phase of a collaboration between Peanuts Worldwide, caretakers of the evergreen media property, and seven diverse artists that’s launched public art displays from several cities in the U.S. to London, Paris, Berlin, Tokyo, Mexico City and Seoul, with installations in other Asian destinations rolling out through the end of the year.
The project, dubbed the Peanuts Global Artist Collective, includes sculptures, outdoor murals, digital installations, pop-up dog bowls (in New York’s Chelsea neighborhood) and a wrapped International Space Station module (in Houston) from celebrated contemporary artists Nina Chanel Abbey, FriendsWithYou, Tomokazu Matsuyama, Rob Pruitt, Kenny Scharf, AVAF and Andre Saraiva x Mr. A.

In Paris, Snoopy's iconic red doghouse is larger than life.

For a brand that’s nearing its 70-year mark, the splashy, high-profile program is a way to “keep the property fresh and new,” said Melissa Menta, SVP, marketing and communications, Peanuts Worldwide, while strengthening brand loyalty among the diehards, appealing to latent fans and potentially finding new audiences with its experiential, digital and product tentacles.
Menta, along with fellow brand steward and Peanuts Worldwide EVP Roz Nowicki, are famously protective of the Charles M. Schulz creations, as is the late artist’s family, whose stamp of approval is mandatory for any Peanuts collaboration. 
For the current project, all sides agreed on some firsts: The iconic animated gang could co-mingle with participating artists’ signature characters (Snoopy hangs out with Mr. A and rubs shoulders with Pruitt’s pandas), and those artists could reimagine Peanuts in their own style.
The art project, with spinoff merchandise from Champion, Away, Sugarfina and others, has fanned out across more than 300 retailers, including Story, Macy’s and Urban Outfitters in the U.S., Galeries Lafayette in France, Brown’s in the U.K. and Hankyu in Japan.

Artist-designed Peanuts merchandise on offer in Japan.

The flurry of activity around Peanuts, which will include upcoming appearances at San Diego Comic-Con and NASA events, can also expand the brand into OTT agreements and boost social media followings. 
Apple TV recently debuted an original documentary-style short, Peanuts in Space: Secrets of Apollo 11, as part of a newly inked distribution deal for new Peanuts specials, series and other content. (A Charlie Brown Christmas and other holiday shows will continue to air on longtime network home ABC.) 
The brand’s Twitter, Facebook and Instagram numbers now top 16.5 million, and during the opening week of Avengers: Endgame in April, Snoopy had three times and five times more Facebook engagements than Marvel and Disney, respectively, per Sprout. The hashtag #SnoopyGlobalArt, meanwhile, has 500,000-plus Instagram engagements.

Last fall, Snoopy-inspired dog bowls by Rob Pruitt were placed around New York City's Chelsea neighborhood.

Adweek spoke to Menta about wading through more than 100 artists to find a handful of collaborators (who have produced north of 160 works of art to date), the delicate dance of guarding heritage and staying relevant, and taking Peanuts further into the stratosphere.
Adweek: Why go the public art route?
Melissa Menta: We wanted to do something accessible to everyone. We’d had the idea for a while—actually, since about 2013. We decided to move forward with it about three years ago. There were a lot of challenges, aside from the logistics, like figuring out how to market one program everywhere in the world because Peanuts means something different in every territory. In the U.S., we all know the TV specials and can quote from them. In Europe, it’s a fashion brand. In Japan, people there really love the design and look of the artwork. But the goal was to have something that could span the world in public places and resonate with lots of different audiences.

@TLStanleyLA T.L. Stanley is a senior editor at Adweek, where she specializes in consumer trends, cannabis marketing, meat alternatives, pop culture, challenger brands and creativity.