The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain's 'Art of Noise,' he kissed her passionately on the lips. 'I w" /> CREATIVE INFLUENCES: Women's Levi's <br clear="none"/><br clear="none"/><br clear="none"/><br clear="none"/>The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain's 'Art of Noise,' he kissed her passionately on the lips. 'I w


The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain's 'Art of Noise,' he kissed her passionately on the lips. 'I w" />


The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain's 'Art of Noise,' he kissed her passionately on the lips. 'I w" />



The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain’s ‘Art of Noise,’ he kissed her passionately on the lips. ‘I w" data-categories = "" data-popup = "" data-ads = "Yes" data-company = "[]" data-outstream = "yes" data-auth = "">

CREATIVE INFLUENCES: Women's Levi's



The first time Geoff Thompson of Foote Cone & Belding/S.F. met Ann Dudley of Britain's 'Art of Noise,' he kissed her passionately on the lips. 'I w

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Thompson, a creative director on the Levi’s women’s campaign, was also swept away by the idea of using animation to convey emotional truths about women’s lives – and flog a few pairs of jeans, as well. ‘I’ve been in this business 30 years and this is the best campaign I’ve ever done,’ he says.
The series of five 30-second spots originated from Levi’s 1992 outdoor and print campaign, which used brush strokes reminiscent of Henri Matisse.

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