W+K, 180LA Invite the World to Rio for Coke and Pepsi

By Patrick Coffee 

The 2014 World Cup is coming to every continent but Westeros–and W+K Sao Paulo would like to remind us, on behalf of client Coca-Cola, what an international event it will be with the “One World, One Game” campaign.

The first spot in Coke’s “largest-ever marketing campaign” series is a global tour of  its latest “corporate social responsibility” project.

The company’s press release reassures skeptics: it surprised team members who “thought they were being filmed for a Coke documentary” with complimentary tickets to Rio, where they’ll “carry the national team flags onto the pitch during the Germany vs. Portugal match.”

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We might point out that they were being filmed for a Coke documentary series, but we’re not quite that cynical.

Further chapters flesh out the local teams’ stories.

The second is even more like a short film, providing us with an intimate portrait of a Brazilian community on the edge of the Amazon that seems to exist within its own leafy bubble until a Coke rep shows up at 2:38.

The third spot plays the charity angle more directly with the story of a Japanese team that lost its gear to the 2011 tsunami.

Now take a minute to recover…

OK. 180LA took Pepsi’s entry in a very different direction, remixing Bowie by way of Janelle Monae:

In case you missed the “we are the world” angle, the spot’s guest stars are top players from teams across the globe. The interactive choose-your-own-adventure version, which allows the user to take several detours throughout the narrative, is currently killing our connection–but it’s well worth a look.

Now who did it best?

Wieden+Kennedy Sao Paulo

ECD: Guillermo Vega/Icaro Doria
Copywriter: Kako Mendez
AD: Eddy Guimaraes
Producer: Kerli Teo
Executive Agency Producer: Ben Grylewicz
Account Team: Spence Kramer / Flavia Cortes
Business Affairs: Dusty Slowik
Global Executive Creative Directors: Mark Fitzloff / Colleen DeCourcy

Production Company: Stink Ltd
Director Lead: Ivan Zacharias
Others: Kosai Sekine / Josh Cole / Nacho Gayan / Norman Bates
Executive Producer: Daniel Bergmann / Mungo Maclagan
Producer: Nick Landon / Ai Yamamoto / Toni Moreno / Robert Bray
Line Producer: Swantje Rummel / Sophie Hubble / Kristin Rathje
Production Assistant: Trond Olsen
Director of Photography: Adam Kimmel / Senzo Ueno / Sebastian Blenkov / Luke Jakobs / Rik Zang

Editorial Company: Joint
Editor: Tommy Harden / Nicholas Davis
Editor Assistant: JB Jacobs
Post Producer: Yamaris Leon
Post Executive Producer: Patty Brebner

VFX Company: The Mill, LA
Flame Artist: Bill Higgins
VFX Executive Producer: Enca Kaul
VFX Producer: Adam Reeb / Jesse Looney
Production Co-ordinator: Jilian Lynes

Music+Sound Company: Walker
Composer: Nicholas Wright / Mauricio Herszkowicz
Executive Producer: Sara Matarazzo:
Producer: Paul Dirksen
Mix Company: Barking Owl
Sound Designer/Mixer: Brock Babcock
Executive Producer: Kelly Bayett
Producer: Whitney Fromholtz

180LA

Partner, Chief Creative Officer: William Gelner
Managing Partner, Chairman: Chris Mendola
Creative Director: Dave Horton
Creative Director: Matthew Woodhams-Roberts
ACD/ Copywriter: Jason Rappaport
ACD/ Art Director: Mike Bokman
Copywriter: Joe Beutel
Art Director: Jaclyn Kritch
Head of Production: Natasha Wellesley
Executive Producer/Producer: Erin Goodsell
Director of Interactive Production: Christopher Neff
Senior Integrated Producer: Andrew Slough
Integrated Producer: Nili Zadok
Head of Account Services: Chad Bettor
Account Director: Sandy Song
Account Manager: Jessica DeLillo
Business Affairs Director: Loretta Zolliecoffer
Head of Design: Richard Harrington
Designer: Patrice Liu
Designer: Dan Pappas
Studio Design: Kyle Klinger

Production Company: US – Reset
Director: Johan Renck
Managing Director: Dave Morrison
Executive Producer: Jeff McDougall
Bidding Producer: Jen Beitler
Head of Production: Amanda Clune
Staff Coordinator: Heinrich Meyer
Producer: Annabel Ridley
Production Supervisor: Lana Greenaway
Shoot Location: Rio De Janeiro, Brazil
Shoot Dates: 12/7/2013 – 12/09/2013

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