Mark Harris on the Inanity of Early Oscar Buzz

There’s something extra special about this year’s marathon Oscar handicapping season being kick-started at Telluride and Toronto by a drama titled 12 Years a Slave. Because in recent years, the once organic and more tempered process of advance film buzz has become a slave to an endless 12 months of town-cried Academy Awards prognostication.

Not that film journalists are alone in this behavior. Tom O’Neil, the grand master of Gold Derby, rightly likes to point out that many other realms besides film awards season (ex: the 2016 U.S.

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