Le Corbusier at MoMA: A Globe-Spanning Show for a 'Multitasking Character'

Le Corbusier said that he preferred drawing to talking, on the grounds that the former is “faster and leaves less room for lies.” And so we silently sketched a “vehement silhouette” of MoMA beside a pair of round eyeglasses and handed it to writer Nancy Lazarus, who knew immediately what to do. Here’s her take on the museum’s highly anticipated Corbu-fest.

Le Corbusier’s urban plan for Rio de Janeiro (1929). Inset, a 2012 photograph of his Villa Savoye (1928–31).

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