From where FishbowlLA sits, the Hollywood Reporter‘s Stephen Galloway patrols one of this town’s most enviable entertainment beats.
Tasked primarily with putting together long-lead, high word count profiles of show business luminaries for the trade’s weekly print edition, this executive editor, features seems about as far removed from the SEO trenches as possible. Although recent Galloway focus Avi Lerner didn’t too well with a Conan the Barbarian remake, chances are this week’s interview subject David Cronenberg will fare much better in the coming months with the Freud-Jung pic A Dangerous Method. In Toronto, the filmmaker told Galloway that on every one of his projects, there has always been at least one actor who gummed up the financing works. On Method, that madness came primarily from the camp of Christoph Waltz:
“Christoph [had] pursued the project,” Cronenberg explains. “He came to me to convince me to take him as Freud; his grandfather had been a pupil of Freud. [After] Inglourious Basterds, all the German money was built around him, and when he bailed, a lot of that money went as well.”
Still, he says: “I’ve been through this before. There’s no movie I’ve done where there hasn’t been something like that.”