Although the Cannes Film Festival leaves a much bigger international than American footprint, it remains the most important such event on the annual calendar. Among the LA based critics hitting the Croisette for this year’s 64th edition are Jeffrey Wells (Hollywood-Elsewhere.com), Sasha Stone (AwardsDaily.com), and James Rocchi, a contributor to MSN and other outlets.
After flying to France on Monday, Rocchi filed a scene-setting piece that sources fellow reporters such as EW‘s Anthony Breznican, the Wall Street Journal‘s Anthony Kaufman, and MSN colleage Glenn Kenny. Says Kenny:
“Cannes is where you can trip over Sidney Poitier one minute and Harmony Korine the next. It’s where you can be outraged by one film at sunup and utterly transported by another film at sunset and then argue with someone who had the exact inverse experience of the same films.”
Good description. Understandably, whenever a foreign language film wins Cannes’ top prize, the Palme d’Or, it goes on to have very limited success at the North American box office. The last two big U.S. crossover Cannes kings were 2004’s Fahrenheit 9/11 and 2002’s The Pianist.