Toyota and Saatchi & Saatchi have been feeling the heat lately for being a bit creepy. Now, here's another mildly unsettling campaign from the agency and automaker—though at least this one shouldn't bring any lawsuits.
To illustrate that the Toyota Prius has expanded its line to four vehicles, and now has something for everyone, Saatchi & Saatchi in Los Angeles came up with a peculiarly grand idea—having 18 people link together, Pilobolus-like, to create an enormous person going about his morning routine in the suburbs. The giant wakes up, draws the curtains, stretches, brushes his teeth and gets dressed for work. After a spot of breakfast and a glance at the morning paper, he steps outside—where we see four Prius cars parked in the driveway. At this point, the huge person begins to dismantle, as the 18 people peel off and walk to their respective cars. "Toyota presents the Prius family," says the voiceover. "There's the original one, the bigger one, the smaller one, and the one that plugs in. They're all a little different. Just like us." The camera sweeps to the sky to show a multicolored graphical representation of the four cars, along with the line, "Prius goes plural."
The outlandish fairy-tale conceit, while odd, is certainly eye-catching and very different for the category, even if the internal logic of the make-believe world feels a little fuzzy. "From one person to many, from one Prius to many," is how Saatchi executive creative director Margaret Keene explains the metaphor. (Perhaps it would help if the latter process were visualized, too.) But quibbles aside, the spot is undeniably memorable, and it's likely to inspire mentions all over Twitter after each national airing—much like the Honda Civic's furry monster, itself a figure that instilled a certain amount of dread, did a few months ago.
One last note: It appears that "Prii" won the James Lipton-led contest for how one actually should pluralize the word Prius. But Toyota isn't using Prii much in the new marketing materials, preferring instead to go with the warmer and cuddlier "Prius Family."
Spot: "People Person"
Agency: Saatchi & Saatchi, Los Angeles
ECDs: Margaret Keene, Chris Adams, Mike McKay
CDs: Ryan Jacobs, Jeff Church
ACD, Copywriter: Andy Kadin
ACD, Designer: Zach Richter
Copywriter: Kimberley Ragan
Art Director: Rebecca Johnson-Pond
Production Artist: Clint Hudspeth
Director of Integrated Production, Multimedia: Tanya LeSieur
Broadcast Senior Producer: Jennifer Pearse
3-D Producer: Carl Deo
Project Manager: Alexis Ross
Group Account Director: Marisstella Marinkovic
Account Director: Marisstella Marinkovic
Account Supervisor: Landon Nguyen
Account Executive: Suyun Wu
Strategic Planning Director: Sara Bamossy
Planning: Sara Bamossy, Regan Zajac
Communications Director: Samantha Johnson
Business Affairs Manager: Karen Mahoney
Client Name: Colin Morisako
Production Company: The Sweet Shop, Culver City, Calif.
Director: Mr. Hide
Director of Photography: John Toon
Art Director: Justin Trask
Production Designer: Sean Hargreaves
Editing Company: Bikini Editorial, New York
Executive Producer: Gina Pagano
Producer: Gina Pagano
Editor: Avi Oron
Assistant Editor: Sterling Robertson
Postproduction:: Eight VFX, Santa Monica, Calif.
Special Effects: Eight VFX
VFX Supervisor: Jean Marc Demmer
Executive Producers: Baptiste Andrieux, Shira Boardman
VFX Producer: Donna Langston
VFX Coordinator: Douglas Scruton
Roto, Paint: Marianne Magne, Chris Fregoso, Natalia Schkliar
3-D Artists: Mathias Jourdes, Shuichi Nakahara, Jerome Platteaux, Kevin Culhane, Oliver Arnold
3-D Supervisors: Giancarlo Lari, Vania Alban-Zapata
Compositors: Raphael Mosley, Andy Davis, Mathieu Caulet, Yann Mallard, Stephane Allender, Marcelo Pasqualino, Dave Stern, Joe Chiao, Tony Petitti, Colleen Smith
Music: Agoraphone Music, Brooklyn, N.Y.
Music Supervisor: Beth Urdang
Licensed Music Track: "Got to Be Free," The Kinks
Music Editor: Mark Vodler, Go Home Productions, U.K.
Sound Design: Lime: Rohan Young, Santa Monica, Calif.
Mix: Lime: Rohan Young